The Swedish tenor, Anders J. Dahlin, studied at the Music Conservatory in Falun in Sweden, at the Norwegian State Academy of Music in Oslo, and at the Royal Danish Academy of Opera in Copenhagen.
Already in 1998 he made his operatic debut at the Norweigan National Opera where he acclaimed much success for his interpretation of Tom Wingfield in Tennessee Williams’ the Glassmenagerie composed by Antinio Bibalo. In recent years he has become one of the leading interpreters of the early French Baroque music.
Anders Dahlin regularly work with conductors such as Christophe Rousset, Herve Niquet, Marc Minkowski, Sir John Eliot Gardiner, Manfred Honeck, William Christie, Adam Fischer, Frans Bruggen, Alessandro de Marchi, Philippe Herreweghe, Robert King, Philip Pickett, Stephen Layton, Andreas Spering, Christoph Spering, Eric Ericson, Tonu Kaljuste, Philippe Pierlot, Eric Hull, Antony Walker, Antony Walker, Mark Tatlow and Roy Goodman. Anders Dahlin has appeared in opera houses such as the Netherlands Opera, Opera de Lyon, Theatre des Champs-Elysees Paris, Opera Comique Paris, Theatre du Capitole Toulouse, Opera de Nancy, Opera de Montpellier, Opera de Bordeaux, Theatre de Nimes, Opera de Lausanne, Teatro Cervantes Malaga, Oper Kiel, Theater Bad Lauchstadt and Drottningholm Theatre Stockholm.
His opera roles include the title role in Rameau’s Zoroastre (at Drottningholm theatre in Stockholm and in Amsterdam directed by Pierre Audi and conducted by Christophe Rousset), the title role in Rameau’s Platee (at the opera in Kiel with conductor Christoph Spering), Atis in Rameau’s Les Paladins (with William Christie and Les Arts Florissants), Carlos and Tacmas in Rameau’s Les Indes Galantes (with conductor Frans Bruggen in Holland, Italy and Poland), Castor in Rameau’s Castor et Pollux, David in Charpentier’s David et Jonathan, Coridon and Un Insulaire in Lully’s Roland (at the theater in Lausanne under Christophe Rousset), Adraste in Marin Marais' Semele (at the opera in Montpellier with Herve Niquet and Le Consert Spirituel), Un Habitant / Un Plaisir in Henry Desmarest’s Venus et Adonis (at the Opera de Nancy under Christophe Rousset), Nutrice / Lucano / Soldato / Tribunale in Monteverdi’s L'Incoronazione di Poppea (in Lyon under William Christie and in Toulouse under Christophe Rousset), Pastore 1 / Eco in Monteverdi’s L’Orfeo, Telemaco in Monteverdi’s Il Ritorno d'Ulisse, Ombre dell’inferno in Monteverdi’s Il ballo delle ingrate, Oberon, The Chinese man and Phoebus in Purcell’s The Fairy Queen (in Bilbao and Salamanca under Christophe Rousset), to mention just a few. He has also sung a number of roles in contemporary operas. Anders Dahlin is a much sought after concert singer with a large repertoire, and he regularly sings with major orchestras throughout Europe. He has received enormous acclaim for the Evangelist in J.S. Bach’s Passions, for his interpretation of the tenor soloist in Benjamin Britten’s Serenade for tenor, horn and strings, and in the high French Baroque music.
As a concert singer Anders Dahlin has appeared at Tonhalle Zurich, Theatre des Champs-Elysees Paris, Salle Pleyel Paris, Auditorium de Lyon, Opera Royal Versailles, Palais des Beaux Arts Brussels, Concertgebouw Amsterdam, De Doelen Rotterdam, Konzerthaus Berlin, Festspielhaus Baden-Baden, Philharmonie Cologne, Royal Albert Hall London, St John's Smith Square London, Philharmonic Hall Liverpool, Teatro de la Maestranza Sevilla, Auditorio Zaragoza, Auditorio de Galica Santiago di Compostella, Palacio dela Opera La Coruna, National Theater Warsaw, Oslo Concert Hall, Berwald Hallen Stockholm, and the Danish Radio Concert Hall.
Other successful concerts inlude Telemaco and Humana Fragilita in Moteverdi's Il Ritorno d’Ulisse at cite de la Musique, Paris with Christophe Rousset and Les Talens Lyriques, Haydn's Die Schopfung in Le Mans with Herve Niquet. Recently he sang the role of Castor in Rameau’s Castor and Pollux with sir John Eliot Gardiner in Salle Pleyel and a similar Rameau programme at the Proms in Royal Albert Hall with great success. 2009 has started with concerts with music by Purcell and George Frideric Handel in London, Paris and Brussels with Marc Minkowski, the title role in Rameau’s Zoroastre at Opera Comique in Paris, concerts in Vienna and Paris with arias by Rameau with Christophe Rousset, and Charpentier’s Lecons de Tenebres in London, Versailles and Bilbao with Christophe Rousset. Forthcoming events include L’Athlete and Mercure in Rameau’s Castor and Pollux at The Netherlands Opera and La Monnaie in Brussels. J.S Bach’s Mass in G-minor with Concerto Copenhagen an Lars-Ulrik Mortensen and Haydn's Die Schopfung with Frans Bruggen.