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Vivaldi Vespri per l'Assunzione di Maria Vergine

RELEASE : 2003 년 RECORDING : 년 GENRE : 성악곡 LABEL : Naive TYPE : 정규앨범(Regular Studio)) MEDIA : CD 2장 Sound Quality : FLAC COMPOSER :  o Vivaldi, Antonio MUSICIAN :  o Soprano : Gemma Bertagnolli ...  o Soprano : Roberta Invernizzi  o Soprano : Anna Simboli  o Contralto : Anna Simboli  o Tenor : Gianluca Ferrarini  o Bariton : Matteo Bellotto  o Violin : Antonio De Secondi  o Ensemble : Concerto Italiano  o Conductor : Rinaldo Alessandrini

Tracklist

CD1 Concerto in fa maggiore in due cori RV 584 per due violini e due organi 1. Allegro non molto 2. Intonatio : Deus in adiutorium Responsorio: Domine ad adiuvandum me festina RV 593 per soli, due cori e due orchestre 3. Domine ad adiuvandum me festina: Allegro 4. Gloria Patri: Andante molto 5. Sicut erat in principio: Andante - Allegro Introduzione al Dixit (in loco antiphonae): Ascende laeta RV 635 per soprano e archi 6. Aria: Ascende laeta: Allegro 7. Recitativo: Quam pulchri, quam formosi 8. Aria: Sternite, Angeli: Presto Salmo 109 Dixit Dominus RV 594 per soli, due cori e due orchestre 9. Dixit Dominus: Allegro 10. Donec ponam inimicos tuos: Largo 11. Virgam virtutis tuae: Allegro 12. Tecum principum: Andante 13. Juravit Dominus: Adagio - Allegro 14. Dominus a Dextris tuis: Allegro 15. Judicabit in nationibus: Largo 16. De torrente in via: Andante 17. Gloria Patri: Allegro 18. Sicut erat in principio: Allegro 19. Antifona Assumpta est Maria in caelo 20. Antifona al Laudate pueri: Maria Virgo assumpta est Salmo 112 Laudate pueri RV 600 per soprano e orchestra 21. Laudate pueri: Allegro 22. Sit nomen Domini: Largo 23. A solis ortu: Allegro 24. Excelsus super omnes: Andante 25. Quis sicut Dominus: Largo 26. Suscitans a terra: Presto - Adagio - Andante 27. Ut collocet eum: Allegro 28. Gloria: Largo 29. Sicut erat: Allegro 30. Amen: Allegro 31. Antifona Maria Virgo assumpta est 32. Antifona al Laetatus sum : In odorem unguentorum Salmo 121 Laetatus sum RV 607 per coro e orchestra 33. Allegro 34. Antifona In odorem unguentorum   CD2 1. Antifona al Nisi Dominus: Benedicta filia tua Domino Salmo 126 Nisi Dominus RV 608 per contralto e orchestra 2. Nisi Dominus: Allegro 3. Vanum est vobis: Largo 4. Surgite postquam sederitis: Presto - Adagio 5. Cum dederit: Andante 6. Sicut sagittae: Allegro 7. Beatus Vir: Andante 8. Gloria Patri: Larghetto 9. Sicut erat: Allegro 10. Amen: Allegro 11. Antifona Benedicta filia tua Domino 12. Antifona al Lauda Jerusalem : Pulchra es et decora Salmo 147 Lauda Jerusalem RV 609 per soli, due cori e due orchestre 13. Allegro 14. Antifona Pulchra es et decora 15. Ave Maris stella 16. Antifona al Magnificat Magnificat RV 610a per soli, due cori e due orchestre 17. Magnificat: Adagio 18. Et exultavit: Allegro 19. Et misericordia: Andante molto 20. Fecit potentiam: Presto 21. Deposuit potentes: Allegro 22. Esurientes implevit bonis: Allegro 23. Suscepit Israel: Largo - Allegro - Adagio 24. Sicut locutus: Allegro ma poco 25. Gloria Patri: Lardo - Andante - Allegro Concerto in do maggiore per la SS. Assunzione di Maria Vergine RV 581 (in loco antiphonae) per violino e archi 26. Adagio e staccato - Allegro na poco poco 27. Largo 28. Allegro Antifona Salve Regina, RV 616 per contralto e due orchestre 29. Salve Regina: Andante 30. Ad te clamamus: Allegro 31. Ad te suspiramus: Larghetto 32. Eja ergo: Allegro 33. Et Jesum: Allegro molto 34. O clemens: Andante

Review

This isn't the 'Vivaldi Vespers', or even a reconstruction of a specific event, but a kind of 'sacred concert' in Vespers form, of the sort that Venetian churches in Vivaldi's time would mount in the name of worship. Whether he ever supplied all the music for any such occasion isn't clear, but he certainly set plenty of Vespers texts, enough at any rate for Rinaldo Alessandrini and scholar Frédéric Delaméa to put together this rich programme. So this is music for a Vespers for the Feast of the Assumption as it might have been heard in one of Venice's more important churches, made up of Vivaldi's settings of the five Vespers psalms, a Magnificat, a Salve Regina, a solo motet (Ascende in laeta) and a couple of orchestral concertos. Unmistakably Vivaldian in almost every bar, these pieces nevertheless show considerable variety; the psalms range from the opulence of Dixit Dominus for five soloists, two choirs and two choirs, to the expressive solo settings of Laudate pueri and Nisi Dominus, to the breezily functional choral treatments of Laetatus sum and Lauda Jerusalem; Ascende in laeta is a virtuoso showpiece for soprano, and the Salve Regina a sombre vehicle for contralto. The liturgical thread is supplied by plainchant antiphons, prettily rendered in a fascinating conjectural imitation of the 18th century's 'corrupt' manner, which is to say, with organ accompaniment and unabashed ornamentation. Alessandrini's reading has an energy which is both forthright and controlled. His solo singers are of high quality; Roberta Invernizzi and Sara Mingardo are from the front rank of Italian Baroque singers, capable of expressive lyricism and thrilling virtuosity, but Gemma Bertagnolli is no less effective. The orchestra plays with inspiriting precision and life, but the choir could be improved on, and is poorly favoured in the recorded balance. Indeed, the recorded sound as a whole is a bit noisy, in places suffering a distant mechanical whir. Still, the overall effect is what counts most in a recording like this: the music has a vital sense of direction, resulting in two and a half hours of invigorating listening.

Last Update : First Register :2018-10-27 오전 12:00:00

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