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Andreas Scholl - Bach Cantatas

RELEASE :	2011 년
RECORDING :	2011 년
GENRE :	성악곡
LABEL :	Decca
TYPE :	정규앨범(Regular Studio))
MEDIA :	CD 1장
Sound Quality :	FLAC

COMPOSER :

o Bach, Johan Sebastian

MUSICIAN :

o CounterTenor : Andreas Scholl ...

o CounterTenor : Kammerorchester Basel

Tracklist

Cantata BWV 82 "Ich Habe Genug"
1 Aria: Ich Habe Genug 7:01
2 Recitativo: Ich Habe Genug 1:13
3 Aria: Schlummert Ein, Ihr Matten Augen 10:05
4 Recitativo: Mein Gott! Wann Kommt Das Schone: Nun! 0:44
5 Aria: Ich Freue Mich Auf Meinen Tod 4:05
Cantata BWV 169 "Gott Soll Allein Mein Herze Haben"
6 Sinfonia 7:55
7 Arioso: Gott Soll Allein Mein Herze Haben 2:46
8 Aria: Gott Soll Allein Mein Herze Haben 6:18
9 Recitiativo: Was Ist Die Liebe Gottes? 0:52
10 Aria: Stirb In Mir, Welt Und Alle Deine Liebe 5:06
11 Recitativo: Doch Meint Es Auch Dabei Mit Eurem Nachsten Treu! 0:28
12 Choral: Du Suße Liebe, Schenk Uns Deine Gunst 1:13
Bass Vocals, Soloist ? Raitis Grigalis
Soprano Vocals, Soloist ? Junko Takamaya*
Tenor Vocals, Soloist ? Michael Feyfar
13 Cantata BWV 150 "Nach Dir, Herr, Verlanget Mich" - 1. Sinfonia 1:35
14 Cantata BWV 200 "Bekennen Will Ich Seinen Namen" 1. Aria: Bekennen Will Ich Seinen Namen 4:29
15 Cantata BWV 161 "Komm, Du Suße Todesstunde" - 4. Recitiativo: Der Schluss Ist Schon Gemacht 2:04
16 Cantata BWV 53 "Schlage Doch, Gewunschte Stunde" - 1. Aria: Schlage Doch, Gewunschte Stunde

Review

This album by German counter tenor Andreas Scholl includes two complete Bach cantatas and movements of several others. The best-known is the solo cantata Ich habe genug, BWV 82, a serene meditation on the ending of life, surrendering oneself into God's hands.
Even though the first and last arias are in minor keys they convey not sadness but joyful anticipation of being freed from the suffering of the world. Gott soll allein mein Herze haben, BWV 169, is a more buoyant expression of gratitude for God's blessings. It's a larger work featuring an introductory eight-minute sinfonia for strings and organ, and a four-part chorale for the final movement.
Throughout, Scholl sings with limpid lyricism and a clear, even tone. His coloratura is immaculate and his voice floats with apparent effortlessness through Bach's shapely melismas. His performance is a beautiful blend of keenly expressive singing with a calm dignity. Kammerorchester Basel, a period instrument ensemble, plays with exquisite musicality.
The oboe solo that opens Ich habe genug, for instance, is a model of poised elegance that sounds absolutely spontaneous. The group produces an exceptionally colorful sound, particularly when winds are involved, and the single aria from "Schlage doch, gewunschte Stunde" is punctuated by bell-like high metals, to wonderful effect. The sound is clear, detailed, and nicely ambient.

Last Update :2020-06-04 오전 12:00:00 First Register :2018-10-22 오전 12:00:00
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